Rabu, 22 Agustus 2007
What Works?
This isn't easy. A book is a one-time unreproducible phenomenon, with many factors that ultimately lead to its profitability or lack thereof. There are no controls in the grand publishing experiment--if a book does well, you can't truly understand why, especially since many of those things done to promote that book were done for other books which didn't do well.
So learning is tough to do, especially in a business model that still relies on returns and offset printing.
As authors, we can't do much to fix the industry. But we have the same hurdle to overcome.
As a reader of this blog, you know I believe self-promotion is essential for authors. I report here on my successes, and try to offer practical information about what works and more importantly why it works. Or, why it doesn't work. No effort is wasted if we learn from it, but are we truly learning?
Here are several things I've done on the self-promotion front, and my honest evaluation of if they've worked or not.
1. Visiting Bookstores for Stock Signings
I know this works. Not in every case, but in enough of them to be worthwhile. Booksellers remember me, and they handsell the books. Of course it helps if you have free books to give away to them, and if you keep in touch periodically with emails or thank them by name in your acknowledgements.
What is the percentage of the worthwhile ones? I'd say one out of four.
2. Having a Booklaunch Party
This is certainly fun, and a nice way to kill a few hours with family, friends, and fans, but it never justifies the expense. Sure, you can write it off, but it's a lot of effort for only a few books sold to people who would probably buy them anyway.
3. Having a MySpace Page
I'm still amazed that I had MySpace Friends show up at my booksigings in Italy. MySpace is better than any newsletter or mailing list I've ever used. But it is a time black hole, and you'll spend weeks and weeks gathering up a Friend list before it becomes worthwhile. When it does start to pay off, you can meet hundreds, even thousands, of new readers, but you have to put in the effort to make that happen.
4. Selling Articles and Short Stories
This works better than anything else you can do. Get into as many anthologies, magazines, and webzines as you can. I'm constantly hearing from people who read my short stuff, which leads them to my longer stuff.
5. Giving It Away
This works. In the past few weeks, people have downloaded 600 free copies of Whiskey Sour on my website. Six hundred may not seem like a lot, but the majority of people visiting my website already know who I am, and they've already read Whiskey Sour. So these are brand new readers, which cost me nothing to find. And many of them are later buying the books--I know this, because they email. I've received no less than a hundred emails from folks who have enjoyed the download and then said they were going out to find more of my work.
6. Mass Mailings
Last year, with fellow scribe Julia Spencer-Fleming, I mailed out more than 7000 letters to libraries. This was very expensive, incredibly time-consuming, and while it got me some publicity, and while it introduced many librarians to my series, I didn't see enough results to say it was worth the effort.
That said, I've never bought a book because the author sent me a postcard either. Snail mail is easy to ignore, and I don't recommend it.
7. Conventions and Conferences
I used to be a convention whore, and attend all of them. These days, not so many.
At the start of your career, it's important to attend writing conventions. You meet your peers, and fans, and the occasional reviewer or media person, and you expand your base readership. But after a few years, meeting the same people again and again, going to a convention is more about the fun than about the self-promotion. You'll never sell more than a few dozen books, and unless you're invited and get a free ride (or paid to speak), it's impossible to justify the several hundred to several thousand dollar cost of attending.
After you visit a few conventions, use your promotional time and dollar to travel and visit bookstores instead.
Of course, if you have a free ride, always take it.
8. Libraries, Bookfairs, and Other Speaking Engagements
This is a crapshoot. Sometimes a lot of people show up. Sometimes very few. I do them because I'm still flattered that anyone would want me to speak anywhere, but I go into these believing they're a way to give back to the community rather than to sell books.
Sometimes, I get paid a lot and have a huge turnout. Sometimes, I get paid nothing and have a nice one-on-one with the event organizer. It's about 50/50.
9. Scheduled Booksigings
These are only worthwhile if you're a big enough name already, or if you're planning on staying for four hours and handselling books. If not, expect a humiliating experience where you don't sell many books, which costs you time and your publisher coop money.
10. Newsletters and Mass Emails
I do one a year, and that seems to be enough. It's important to have a newsletter, and to have a space on your website where people sign up for it. But don't bombard them with an email every week. A mass mailing, announcing your latest book, is effective, but I question the effectiveness of any other use.
11. A Blog
Yes, you need a website. But do you need a blog?
This blog gets anywhere from 300 to 1500 unique hits a day, though it averages about 600. When I post more often, the number goes up. But even if I don't post for a week or two, the numbers stay pretty consistent.
This is because my blog contains information that Google regularly searches, so new folks are constantly being directed to old posts. Some of them stay for a while. Some become long term readers. I've sold books, and gotten speaking engagements, because of this blog, so I believe blogs are worthwhile if you have something to offer, like expertise, information, aggregation, or opinion.
That said, go to Statcounter.com, get a free tracker, and see if anyone is reading. If not, your efforts are better spent elsewhere.
12. Contests
I used to think contests were important. Now I think it depends on the contest.
I ran a contest of sorts for Dirty Martini, thanking everyone who reviewed it int he acknowledgements of my next book, and sending them free stuff (it's coming, I swear!) and I got many more online reviews than any of my previous books. That was worth it.
I ran a library contest that garnered a few hundred entries. While I love libraries, the only ones entering were folks who already knew who I was, so this really was more of a way to thank libraries than get new libraries to order my books.
I ran a few writing contests, and while many websites mentioned them, the work to read all the entries was exhausting, and I don't think it did anything for my book sales. I won't do another one.
My publisher has run contests on websites, and I haven't seen any dramatic results from them.
Don't think that just because you're running a contest that people will enter, or that you'll get any publicity for it, or that people entering will buy your book. Contests are more of a "thank you" than a self-promotional tool.
13. Free Stuff
I give away a lot of freebies; signed coasters, magazines, books, etc, although these are more goodwill than fan recruitment. But I'll keep doing this, because my core fans should be rewarded, because they're helping to spread brand awareness and name recognition.
To date, I've given away more than 30,000 signed drink coasters. Do these sell books? No. But they are something novel to give to people I meet so they remember who I am, and unlike a bookmark or business card, they're autographed so people might hold onto them.
I consider the money I spend on coasters to be wasted, but well wasted. It always amuses me when I run into someone who talks about the signed coaster they got from me four years ago that they still have on their desk.
If you want to spend a few bucks on bookmarks, pens, postcards, flyers, keychains, etc, know it's going to be at a 100% loss. A good quality business card with your bookcover on it is all you really need.
14. Advertising
As I've said before, I think that modern human beings are immune to advertising. Those who say it helps to reinforce a brand are correct, it does reinforce a brand. But at what cost vs. what benefits?
My publisher has run some big ads for me. I've run some small ones. I believe their money is better spent on ARCs and coop, and my money is better spent on travelling.
This also applies to Internet advertising. How many times in the past week have you clicked on a pop up or a banner ad? Did it lead you to buying the product?
Of course, advertisers admit that a very small percentage of people exposed to any ad rush out and buy the product, but advertising leads to overall branding and product recognition.
To which I can say that I recognize thousands of products, and can even sing ad jingles from my youth, but I still have yet to buy any of them.
Book trailers have been around for a few years, but writers continue to extol their virtues. Yes, you can put it on YouTube and on your website and MySpace page, and it's pretty cool. But is it a few thousand dollars worth of cool?
I don't have any book trailers, so I don't know how many hits they get. I do have a video of me acting like an idiot on my site, and that gets a few hundred hits a month, along with garners me a lot of email. But that cost me $25, not $2500.
Plus, like everything you put on your site, the people who visit are most likely the people who know about you anyway, so who exactly are you recruiting?
If you want to do a book trailer, be sure you tract the hits it gets, track the email responses you get, Google how many people link to it, then post your honest results here so we can learn from them and figure out if they are worth the cost.
15. Your Publisher's Efforts
Your publisher can do more for your book than you ever could. So it's important to coordinate your efforts with them, keep a line of communication open, and always be gracious, thankful, and polite even if you think they suck. You get more flies with honey than with vinegar, and a rep as someone difficult, unappreciative, and unrealistic can follow you forever.
16. Your Outlook
Winners act like winners. This sounds obvious, but the things you say and do in public can give the impression that you're one to watch or you're one to avoid.
Be one to watch in all of your professional relationships. A smile and a "thank you" is a lot more effective than a million dollar advertising campaign.
Conclusion
The goal is to get read. To be read, people must be made aware of your books. You can't make people buy them, or like them, or tell their friends about them.
But, as writers, we can help make the world aware that our books exist. The above are some of the things I've tried.
I measure a successful effort by the amount of time and money it takes versus the result it produces. I have no rigid method for this. A lot of my advance money goes toward self-promotion, and most of my time does.
Hardly anything pays for itself. But many of the above have intangible, unforeseeable benefits. Whatever you do, the rule seems to follow: the more you do, the more you get.
So take a look at your efforts. Look at the time and money you've spent. Then ask yourself:
What has worked for you and why?
Feel free to share your results here.
Minggu, 12 Agustus 2007
Pride
While no one likes a braggart or a boaster, and being around someone who talks about themselves constantly is a major bore, I believe that many writers became writers because of a need to show off. After all, it takes a large ego to write words down on paper and believe that others will not only enjoy them, but pay you for the privilege of reading them.
This isn't too far removed from bringing home macaroni art in the third grade and expecting Mom to tape it to the refrigerator door. And what child doesn't swell--and rightfully so--at the sight of their hard work on display for anyone who reaches for a glass of milk or a sandwich?
I know I still get a giddy feeling when I see my new book or short story in print for the first time. I love getting email from fans, and reading reviews, and hearing friends and family share how they saw someone reading one of my tomes. This is a healthy feeling. In fact, with the many problems the publishing industry has, and the many pitfalls that go hand-in-hand with being a writer, sometimes feeling good about our work is all we have.
I've written fifteen novels and over a hundred short stories. Each time I pen "the end" I feel like I'm six-years-old again, and can't wait to show my mom my latest masterpiece. I still show my mom most of what I write, but my first reader is now my wife. I haven't written anything in the past thirteen years that she hasn't read immediately afterward, and I'm incredibly lucky to have her.
I think this need to show people our work helps tremendously. Not only does it boost productivity, but it also takes some of the loneliness out of a solitary profession. I'll often write a scene, or finish a chapter, grinning because I can imagine my wife's reaction to reading it.
Unlike many other careers that people seem to fall into due to attrition, luck, or apathy, writing is a career that is sought after, cultivated, and difficult to maintain. We should have a sense of pride in every success, whether it's finishing a short story or novel, getting something published, receiving fan mail, or simply hearing the laughter of a family member reading our words in another room.
I pity writers who tortuously labor over their prose, or who can never be satisfied with any accomplishment. Perfectionism is fine, to a point. But I know that I got into writing because of the joy it held for me. If I didn't have that joy, I'd be doing something easier. For me, the writing is the fun part, but sharing that writing is also fun.
It is possible, however, to be too into your own accomplishments. This not only annoys and alienates those around you, but it's not a very healthy way to live. Newbie writers are often guilty of this. Hell, even I was, and often still am.
So here's a list of Virtues and Sins for authors, centering around Pride.
- Feeling good when writing.
- Feeling good when finishing a piece of work.
- Feeling good when something gets published.
- Feeling good when getting positive feedback.
- Feeling good when getting a decent review.
- Feeling good after a successful signing or event.
- Sharing major successes with family and close friends.
- Offering requested help and advice to peers, without being condescending.
- Feeling good when seeing something of yours in print.
- Feeling good getting fan mail.
Sins
- Thinking you're entitled to success.
- Bragging.
- Conversations that revolve around your accomplishments.
- Posting every little thing that happens in your career on your blog, website, favorite bulletin board, etc.
- Talking down to anyone.
- Fishing for compliments.
- Sharing major and minor successes with everyone moments after they occur.
- Offering unsolicited advice to peers.
- Believing that the opposite of talking is waiting.
- Hogging the microphone and/or spotlight at multi-author events.
- Believing the hype.
That said, I'm ridiculously proud to report that Dirty Martini is my first hardcover to ever go into a second printing. Thanks so much to all of you who have bought this book--and hold onto those first editions, because they'll be worth more on eBay in a few years. :)
If you have any additions to the Pride Sins and Virtues list, I'd love to hear them, and so would your peers.
Minggu, 29 Juli 2007
Writing Myths
I'm sure there are some writers who actually write everyday, who force themselves to sit at their computers until they get their three hours, or four pages, or 1500 words.
I'm not one of them.
I do prioritize my writing, as all writers should. It's important to submit stories, finish books, meet deadlines. Hence the label writer. But in today's hectic world, I simply can't find the time to write every day.
If you can't find the time either, don't sweat it. Write when you can. You can prioritize something without being a slave to it.
Myth #2 - Writers Need Inspiration
I've never sat at a blank monitor, waiting to get inspired.
I write because I'm already inspired.
The age-old question, "Where do you get your ideas?" is actually backwards. It's the ideas that make writers want to write, not the other way around.
If I have a muse, it's my paycheck. That doesn't mean I don't love writing. It means I'm lucky enough to have writing as my job, and no one has a job where they're inspired 24/7.
Writers write, inspiration or not.
Myth #3 - Writing Is Difficult
Working in a factory is hard. Getting paid for your thoughts is a privilege.
Folks who complain about writing being hard need to spend a day working construction, or bar tending, or on an assembly line, or landscaping.
If it's so tortuous, so difficult, so hair-pullingly awful, why do it? Life is too short. Do something you like, or at least something that pays better.
Myth #4 - Writing Must Have Integrity
This goes along with "writing is art" and posits that our written thoughts are somehow important.
Writers are entertainers. We're the guys that tap dance on the street corner for change.
Sure, our work can have meaning. It can inspire and enthrall. But, at the end of the day, we're still not offering our readers food, clothing, shelter, or love. We're non-essential, no matter how eloquent our prose.
Plus, we still have to pay the bills. That often means doing things we don't want to do. Editing. Changing things. Maybe even writing about stuff we don't care about.
What? You don't want to sell out? You'd never let your precious words be touched, or write something for just for money? You really believe that the world owes you a job simply because you can put a noun and a verb together?
I wish you much success, and hope I never have the displeasure of sitting next to you at a party.
Myth #5 - Writer's Don't Have to Think About Sales
I've heard this one ad nauseum. Here are some of the follow-ups:
"It's a publisher's job to sell books." Really? It's your name on the book. If it fails, your publisher will still be around. You won't.
"I have no idea what genre I fit into." Congrats! You spent a year creating something that no one will want, simply because you were too self-absorbed to open your eyes.
"I can't make a difference in my sales." Books sell one at a time. Sell one, you've made a difference.
"I hate self-promoting." No one is forcing you to self-promote. No one forced you to be a writer, either. In fact, chances are you worked hard and dreamed about becoming a writer for many years, doing a lot of jobs that you really hated in order to support yourself. But now that you've been published, you think you can stop doing things you dislike?
Answer the phone, reality is calling.
(I should put that on a T-Shirt.)
Myth #6 - Good Books Always Sell
Out of all the writing myths I know, people stick most stubbornly to this one. As if the key to success is simply writing a good book. Perhaps they believe that at night, while the world sleeps, their books leap off the shelves and fly through the air visiting homes through chimneys like Santa Clause, whispering subliminal messages to snoozing readers to buy them the next day.
Writing a good book is only the first step. There are no guarantees it will even be published, let alone sell well. The best book ever written will be a miserable failure if no one knows it exists.
Your job, after writing the book, is to tell people it exists. If your book doesn't succeed, then write another one.
Myth #7 - Writers Are Rich and Famous
Maybe a few of them are. The rest of us struggle to pay our bills and don't have enough fame to talk our way out of a speeding ticket.
Myth #8 - Not Everyone Can Write
Writing is craft, and craft can be taught.
If there's a super-talented egomaniac with a sense of entitlement that matches his flair for prose and an average Joe who studies the market, hones his craft, responds to feedback, and keeps at it, my money is on Joe Average getting published first--and then having a more successful career when he does.
Hard work trumps talent. Persistence trumps inspiration. Humilty trumps ego.
Myth #9 - Writers Are Alcoholics
This one is true. Where the hell did I put that beer?
Selasa, 24 Juli 2007
Firestarter
Our backyard is the size of a postage stamp, but we have just enough room for a few chairs, a grill, and a fire chimney--one of those cast iron ovens that looks like a pear and makes a campfire safe and supposedly easy.
Well, starting fires isn't easy.
Though a fire doesn't fit the strictest definition of "life" it still eats, breathes, and reproduces. And, like life, it requires care to thrive.
If you're new to starting fires, you'll throw some wood on a pile, hit it with a match, and hope for the best.
Sometimes luck is on your side, and you'll soon have an inferno.
But most of the time, starting a fire takes more effort than that. You need to properly stack the wood, so air can flow around and through it. You need kindling, or tinder, or both, and perhaps even an accelerant. And then you need to keep a vigilant eye on the fire, poking and prodding and feeding it until it's big enough to last for a awhile without constant attention.
Sound familiar?
Yesterday I dropped in 11 bookstores with the talented Tasha Alexander (And Only to Deceive, A Poisoned Season) and the talented Renee Rosen (Every Crooked Pot.)
We were starting fires.
I signed 93 books. Not a huge amount, considering I have several hundred thousand in print. Hardly a dent, really. And while several of the booksellers we met were interested and enthused to see us, in a few cases we were met with apathy. That's how drop-ins go. Some are great. Some make you scratch your head and wonder why you're doing this.
Still, I consider this time well spent. Signed books have a better sell-through. They're put in higher profile places around the store. Meeting booksellers is always a good thing. Plus, tending to your career, even in small ways, is more productive than sitting on your ass with your fingers crossed, hoping things go well.
Your writing career, like a fire, has no guarantees. Sometimes what you think was a sure thing won't turn out. Sometimes you can spend a long time stoking and still not get a good burn going. Often parts of the fire will die when you focus on other parts. And even if you do everything right, it might rain anyway.
But the more attention you pay to your fire, the longer it will last. The same goes with your writing career.
This philosophy, while excruciatingly simple to understand, is still met with a lot of resistance from some of my peers.
Many writers hate promoting. Visiting 11 bookstores in a day (or 618 in a year) is unthinkable. They believe that a writer's job is to write a good book, and that's all.
If you want to write books and then cross your fingers, that's up to you. Build the woodpile, throw the match, and walk away.
But anyone who has had any experience building fires knows the importance of maintenance. The careful cultivation of the flames once they start is important.
For those who haven't been beaten over the head with this analogy yet, tending a fire equals self-promotion.
It makes perfect sense to self-promote. Your books are your brand. No matter how good your brand is, you still need to make people aware it exists. As creator of the brand, you are uniquely suited to extol its virtues. And since it is your name on the brand, you have a vested interest in its success.
But some writers still resist this. There are reasons for this resistance:
- Fear of failure, or public speaking.
- Conceit, or a belief that promo isn't needed because the book is so good.
- The deep-rooted human trait that makes us dig in and defend our actions rather than question them.
- An incorrect view of how publishing works.
- A sense of entitlement, which posits that writers write and it's the job of the publishers and booksellers to sell.
- Having tried self-promo in the past, and not getting the expected results from it.
- Believing that writers can't make a difference in sales, and that promotion is futile.
- The need to disagree because if they agree, they'll feel guilty about not doing enough to help their own career.
Do you have to self-promote?
No. There's no law or rule that says you have to.
You don't have to brush your teeth either, and you might still live your whole life without getting a cavity.
That doesn't make it good advice.
For those interested in picking up signed JA Konrath books (along with signed Tasha Alexander and Renee Rosen books) you can visit one of the following fine Chicago establishments:
Barnes & Noble at Webster Place
Barnes & Noble on Diversey
Barnes & Noble on State Street
Barnes & Noble on Touhy
Borders on Clark
Borders on Lincoln
Borders on Michigan
Borders on North Ave
Waldenbooks at 900 N. Michigan
Borders on State Street
Borders on Broadway
On July 25, I'll be at Mystery One Books in Milwaukee, at 7pm until at least 8pm. Stop by and say hi.
Jumat, 20 Juli 2007
More on Drop-Ins
After about seven months off (aside from a few isolated instances) I've once again climbed into the RustyMobile to drop in bookstores and sign stock/schmooze booksellers.
There are those who question the cost effectiveness of doing drop-ins, both in terms of time and money.
Those people are wrong.
I went to seven bookstores yesterday, all of which I'd visited last year, and had the same basic experience at all of them.
1. No store had less than 15 of my books. Some had more than 30. Even though none of them expected me to show up, or knew I was coming.
2. The booksellers knew who I was, even if they hadn't met me. I always wondered about this. When I visit a store, I only meet a small portion of the people working there. But booksellers tell other booksellers that an author dropped in, so I shook hands with folks who I'd never met before who knew I visited last year, and knew about my books.
3. The free books my publisher sent them were received and appreciated. As far as promotions go, nothing beats a free books.
4. Many stores ordered more books before I left. In a few cases, they were out of one of my early titles, but my visit prompted them to order more. I also found out that I was on the "automatic re-order" list for several of the stores.
Over the next few weeks, I'll be visiting stores in most of Northern Illinois, southern Wisconsin, southern Michigan, and parts of Indiana. I've got about 150 lined up.
In the meantime, if you're looking for signed JA Konrath books and you can't make my Chuck E. Cheese Book Luanch Party on July 26, visit one of these fine establishements:
Poisoned Pen, Phoenix AZ
Borders, Schaumburg IL
Barnes & Noble, Schaumburg IL
Waldenbooks, Bloomingdale IL
Brain Snacks, Downer's Grove IL
Barnes & Noble, Bloomingdale IL
Borders, Wheaton IL
Barnes & Noble, Wheaton IL
Borders, St. Charles IL
Barnes & Noble, Geneva IL
Borders, Geneva IL
Now, back to the road...
Selasa, 17 Juli 2007
Newsletter #7
In this issue:
--Introduction
--Book Launch Party
--The Dirty Martini Tour
--Bookseller Contest
--Reviewer Contest
--Writing Contest Winners
--Library Contest Winner
--Free Whiskey Sours
--MySpace
--Books for Troops
--Recent News
--Summer Reads
--Freebies
--INTRODUCTION
You're on this mailing list because you love books. I love them, too. This email is my way of reaching out to readers, librarians, bookstore employees, fellow authors, and giving you free stuff. If you want to be taken off this list, just reply with REMOVE in the header or opt out using the link at the bottom. If you've asked to be removed from this newsletter and haven't been, I apologize--my current address book got corrupted and I had to rebuild it using an older file. Sorry--won't happen again. If you've signed up for this newsletter and haven't received it, you probably aren't reading this, but I apologize anyway.
My fourth Lt. Jacqueline "Jack" Daniels thriller novel, DIRTY MARTINI, has just been released in hardcover and on audio CD and MP3. It's gotten some terrific reviews, and unlike the previous books in the series, this one has very little violence in it. But rest assured, there's still alot of scares and suspense, as well as some big laughs. If you would like to read or listen to the first seven chapters for free, visit www.JAKonrath.com.
The first three novels in the series, WHISKEY SOUR, BLOODY MARY, and RUSTY NAIL, are currently available in paperback, hardcover, and on audio. They'll make you laugh, and then scare your socks off. Please head to your favorite bookstore and buy fifteen copies of each for yourself and everyone you know.
Now let's get to the fun stuff:
--BOOKLAUNCH PARTY
I'm having a booklaunch party for DIRTY MARTINI, on Thursday, July 26, from 8pm until 9:30pm.
After carefully considering many venues, and taking into account the tastes and needs of my close friends and fans, I've decided to hold the launch at Chuck E. Cheese, on 990 S. Barrington Rd, Streamwood Illinois. The first thirty people to buy books will also get free game tokens.
Yes, I'm serious.
There will be pizza, beer, wine, and pictures with Chuck E. Cheese the giant mouse. I encourage you to come by, say hello, and get a signed copy of any of my books. Everyone is invited, except for Al Gore, who I'm mad at for not returning my calls. I'm having a big Styrofoam bonfire at the party, Al. Then we're going to play "Improperly dispose of the used batteries" at a nearby pond. Then, Twister.
--THE DIRTY MARTINI TOUR
After visiting 29 states on tour last year, my lovely wife has threatened me with violence if I ever do that again. But I will still be dropping in stores in Illinois, Wisconsin, Michigan, and Indiana all summer, and there's also a good chance I'll visit stores on the West Coast, including Washington, Oregon, and California late summer/early fall. Keep an eye on my website for details. The only "official" signing I currently have planned is on July 25 at Mystery One in Milwaukee, where I'll be appearing alongside legal thriller author David Ellis. Hope to see you there.
--BOOKSELLER CONTEST
On the back of DIRTY MARTINI, instead of the standard quotes by reviewers and bigshot authors, I feature blurbs by booksellers. I love booksellers. In fact, I thank over 1300 booksellers by name in the acknowledgments of Dirty Martini. If you are a bookseller, I encourage you to write a quote of your own for Dirty Martini. Send it to me at haknort@comcast.net. I'll put it on my homepage, and name a character in my next book after the bookseller who sends me the coolest quote.
--REVIEWER CONTEST
I enjoy being reviewed, whether it's in a newspaper, a newsletter, a listserv, on a website, a blog, MySpace, a bulletin board, an online review site, a bookstore site, etc. Write a review of Dirty Martini, and put it someplace where people can read it, and you'll be thanked in the acknowledgments of FUZZY NAVEL, coming out next year. Simple as that. The first twenty reviewers will also get something free. I have several copies of DIRTY MARTINI on audio CD and MP3 (featuring another amazing vocal performance by Dick Hill and Susie Breck) plus various copies of anthologies I've been in. The freebies will be autographed, of course.
--WRITING CONTEST WINNERS
I apologize for taking so long to judge this contest. I wish I had time to personally respond to everyone who submitted a story, but I was overwhelmed by over five hundred entries. There are a lot of great writers out there!
After some torturous deliberation, I've selected one winner and five runner-ups. Each will get a signed hardcover book, and the winner will also get a hundred bucks, and my help with crafting a query letter.
The runner ups (in no particular order) are:
Al Bixby
Jonette Stabbert
Alan Peden
Steve Hagood
Richard M. Coad
And the overall winner is Dwayne L. Williamson, for his crime story, "Buried and Dead."
Thanks to all who entered!
If you didn't win, don't dwell on it. Rejection is part of being a writer. Remember, I collected almost 500 rejections before I sold a single word. Keep writing, keep trying, and never say die.
--LIBRARY CONTEST WINNER
After printing up over 400 entries and picking one at random, the winner is:
Denise Gullikson and the Andersen Library in Whitewater, Wisconsin.
Congrats, Denise! We'll coordinate a time for me to visit your library, give away some free books, and do a talk.
--FREE WHISKEY SOURS
Haven't read any of my books yet? Now you can, for free. WHISKEY SOUR, the first Jack Daniels book, is available as a free pdf file for a limited time on www.JAKonrath.com. My print publisher, Hyperion, is limiting the freebies to the first 1000 downloads, so act quickly. You can read the entire text of WHISKEY SOUR on your computer, or you can print it out, put it on your tablet PC, PDA, ebook reader, Palm Pilot, Blackberry, iPhone, etc. Be sure to tell all your friends, and drop me a line to let me know what you think of it.
--MYSPACE
Are we MySpace Best Friends Forever yet? Visit my page at www.MySpace.com/JAKonrath and join my 15,000 other BFFs, each of whom I know by name and stay in constant touch with because they are so very dear to me.
--BOOKS FOR TROOPS
Believe it or not, there's a JA Konrath Library in Iraq. A friend of mine is stationed there, and I put out a call to send him books for his fellow troops. They've gotten several hundred so far, but those were mostly by Nora Roberts. If you have some extra books lying around, send them to:
Soldiers of C Co / 163 MI Bn
c/o 1SG Hansen
COB Speicher
APO AE 09393
--RECENT NEWS
The anthology I edited, THESE GUNS FOR HIRE, just received some great news. Author Julie Hyzy won a well-deserved Derringer Award for her contribution, STRICTLY BUSINESS. The antho features hitman and assassin stories from many top thriller writers, and is a must-read for everyone who loves mysteries. Visit www.TheseGunsForHire.com for details.
My short story EPITAPH, which is a Jack Daniels tie-in, was recently nominated for a British Dagger Award. It appears in the anthology THRILLER edited by James Patterson, now available in paperback.
If you're looking for more Jack Daniels stories, there's one in the upcoming anthology CHICAGO BLUES edited by Libby Fischer Hellmann.
I have a fun essay about Janet Evanovich in the recently released PERFECTLY PLUM, edited by Leah Wilson.
My gross little horror story, Mr. Pull Ups, is now available in the anthology TALES FROM THE RED LION.
I recently returned from Rome, Naples, and Milan in Italy, hosted by my Italian publisher Alacran Edizioni. If you, or someone you know, reads Italian, pick up their gorgeous edition of Whiskey Sour at www.bol.it or www.ibs.it.
Whiskey Sour, I'm pleased to report, was just reprinted and is now in its third paperback edition. I'm thrilled by the support from Hyperion and from all of the fans who have embraced the book and the series.
--SUMMER READS
If you've read all four of the Jack Daniels books (thanks!) and are desperately looking for something good to read, I heartily recommend the following:
A POISONED SEASON by Tasha Alexander - I normally don't like historical fiction, but I love this series.
BIG CITY, BAD BLOOD by Sean Chercover - Great mystery debut.
BAD LUCK AND TROUBLE by Lee Child - Another awesome Jack Reacher novel.
REQUIEM FOR AN ASSASSIN by Barry Eisler - Eisler keeps getting better and better.
EYE OF THE BEHOLDER by David Ellis - An amazing serial killer novel.
THE MEPHISTO CLUB by Tess Gerritsen - Gerritsen's best yet.
SUPER MOM SAVES THE WORLD by Melanie Lynne Hauser - Funny and touching chick/mom lit.
SLEEPING WITH FEAR by Kay Hooper - Kay is wonderful.
CROSSHAIRS by Harry Hunsicker - Number three in one of my favorite new mystery series.
HELL'S BELLES by Jackie Kessler - Fun supernatural chick-lit.
SCAVENGER by David Morrell - An amazing follow up to CREEPERS.
A THOUSAND BONES by PJ Parrish - Awesome thriller.
THE MARK by Jason Pinter - Incredible debut.
THE JUDAS STRAIN by James Rollins - One of the best thriller authors out there.
THE REINCARNATIONIST by MJ Rose - MJ is always fantastic.
EVERY CROOKED POT by Renee Rosen - A heartfelt coming-of-age story.
THE BLADE ITSELF by Marcus Sakey - Great thriller debut.
ON THE ROPES by Tom Schreck - Great mystery debut.
PRESSURE by Jeff Strand - One of the scariest books I've ever read.
SERPENT'S KISS by Mark Terry - Great follow-up to DEVIL'S PITCHFORK.
SHADOWS IN THE WHITE CITY by Robert W. Walker - Walker's terrific sequel to CITY FOR RANSOM.
--FREEBIES
Free stuff is cool. A few times a year I have a random drawing for free J.A. Konrath merchandise, and everyone on my mailing list is eligible. Two newsletter subscribers have been randomly picked to receive some cool gifts.
The lucky winners this time are:
Lucky Andringa
Cynthia Paulino
Lucky and Cynthia, email me to get your gifts.
Remember, even if you didn't win, you can still get free stuff and also get mentioned in the acknowledgments of FUZZY NAVEL by writing a review of DIRTY MARTINI.
Keep an eye on JAKonrath.com for updates and news. Book #5, FUZZY NAVEL, is due out June 2008.
See you on the road!
JA Konrath
www.JAKonrath.com
www.JAKonrath.blogspot.com
www.MySpace.com/JAKonrath
Selasa, 10 Juli 2007
The Follow-Up
I meet a lot of key people--booksellers, librarians, and fans--both in person and online. I try my best to make a good impression by being friendly, approachable, helpful, courteous, thankful, and genuine. I know how to pitch, how to give good interview in print, radio, and TV, and how to make sure I hit key points that will hopefully lead to sales, or at least to being remembered.
But I have an Achilles heel. I'm crummy at the Follow-Up.
The Follow-Up is a simple, yet powerful, self-promotional tool. In short, it's reaffirming the relationship (a bookstore meeting, a well done interview, a great review) by responding within a relatively short period of time. Sometimes the response is a simple "Thanks!" Sometimes it's a reminder (my new book is currently available.) Sometimes it's simply a note to say we should keep in touch.
A Follow-Up makes a person feel special, while also keeping you in the forefront of that person's mind. It takes very little time to do.
Yet, for some reason, I stink at it.
Here are some things you (and I) should be working on to better our Follow-Up skills:
- Answer Email. This should be a no-brainer, but if you're like me and your In-Box is larger than your last novel, keeping up with email is a daunting task. Every few weeks I get obsessed and go on an email-answering frenzy. But it's much easier to keep control of your email with this simple trick: Respond as soon as you read it. Then there are no huge, daunting pile-ups, and everyone who contacts you, whether they be fan, peer, or newbie writer asking for blurbs, gets a timely response rather than thinking you're an ignorant jerk.
- Respond to Posts. If you're like me, and you lurk on writing message boards (http://www.bksp.org/), listservs (http://www.dorothyl.com/), Yahoo Groups, newsgroups (news://alt.fiction.orginal/) other authors websites and blogs, and the many other places on the Internet that allow exchanges of information, you'll often occasionally post something. It's easy to post once, then disappear, thinking your work there is done. It's a much better idea to stick around and have some conversations. Remember; No one enjoys being sold something. But people do like to communicate with authors. Like a good website, or blog, it's about what you have to give, not what you ant to sell.
This also applies to your own blog. If you're getting a lot of responses, it's easy to forget to say thanks to those with kind words. Here's another tip: Check your old posts every so often. Google links to posts that are years old, and people will find them and leave comments, then check back to see if you've responded. - MySpace. I'm awed at how much time I'm spending on MySpace lately, and the truth is I should be spending even more. I get a lot of MySpace messages and comments, sometimes a few dozen a day. I've been pretty good a bout responding to messages, but when someone posts a nice comment about me, I often don't reply. This is stupid. From now on, every time someone posts a comment on www.myspace.com/jakonrath, I'm going to immediately post a comment on MySpace page. This not only makes the commenter feel good, but then my comment (along with my book cover and link) is on their page for all of their MySpace Friends to see. Ditto responses to your MySpace blog.
Stay away from spamming. But a nice, personal comment is always welcome, and if it mentions you also have a new book coming out, not many people will mind. - Amazon.com. We all know that authors can blog on Amazon. You can also create Listmanias, sell stories on www.Amazon.com/shorts and post reviews. A new Amazon option allows people to respond to reviews directly.
If you're an author, you should blog. You can read my Amazon blog, Listmanias, and reviews, by clicking on any of my books and scrolling down, or by checking out my Amazon Profile.
There's a new feature that allows readers to comment on user reviews. I DO NOT recommend getting into a flamewar with the moron who gave your book one star. Authors should be above that. It's petty.
However, if they guy is a real brain donor, go ahead. I love posting positive reviews of books I love, and following up by gently correcting the negative ones. - Booksignings. You would think, with all the bookstores I visit, I'd have a master list of every single bookseller I've ever met. Sadly, I don't.
I have business cards from many of them, but I rarely follow up after dropping by. A simple, "It's was great to visit your store!" email or postcard would go a long way toward getting booksellers to remember me, but I'm lax in this department.However, I'm working on changing that. In Dirty Martini, I thank over 1300 booksellers by name in the acknowledgements. And each store I stopped in on the Rusty Nail 500 got a free copy of the book, along with this letter:
A note from author JA Konrath.
Hello again! I'm saying "again" because I visited your bookstore last summer while touring the country for my third Lt. Jacqueline "Jack" Daniels mystery, RUSTY NAIL. That tour took me to 29 states, where I signed books at 618 bookstores.
This store was one of them.
Hyperion and I want to thank you for your support, so we've sent you a free copy of the newest Jack book, DIRTY MARTINI. Everyone else has to wait until July 3 (the release date) to read it.
If I was lucky enough to have met you, or any of your co-workers, last year when I dropped in, I've listed you by name in the acknowledgements pages at the end of the book. If I spelled your name wrong or accidentally omitted you, email me at haknort@comcast.net and I'll make sure you're in future editions.
If I didn't get a chance to meet you last year, or if you haven't read my books before, DIRTY MARTINI is a good place to start. It's a fast, fun beach read, sort of a cross between the suspense of James Patterson and the humor of Janet Evanovich.
Some of your peers have already read of DIRTY MARTINI, and they've said some wonderful things about it. Instead of the standard review snippets and author blurbs, my back jacket features bookseller quotes. I'm sorry we didn't have room for all of them. If you already sent me a quote, or if you like DIRTY MARTINI and want to send me one, I'll put your quote and your name on my website, www.JAKonrath.com. I'll also name a character in my next book after the bookseller who sends my the coolest quote.
As you already know, booksellers are not only the smartest, nicest, and sexiest people on the planet, they are also hugely influential. I'm humbled and honored that so many of you have embraced the Jack Daniels series, and have hand sold and recommended them to so many people. Thanks so much for your hard work and efforts. You're awesome.
Hope to see you again soon...
Do you have any Follow-Up tips? If so, please list them here. I promise I'll respond. :)